Eva L’Hoest

Eva L’Hoest is a Belgian artist who uses digital language as an archaeological tool to explore the concepts of origin and memory. Through sculptures, performances, and audiovisual installations, she investigates how collective and individual mental images can be reactivated and reanimated in technological forms. Eva L’Hoest infiltrates the data of our digital age as well as primary mythologies, bringing to the surface visual and audible forms that create new territories of relationships, at the crossroads of distinct worlds, times, and media.
 
Her work was recently showcased in her first institutional monograph, The Mindful Hand, at the Casino Luxembourg (2025). Her works have also been exhibited at KANAL – Centre Pompidou (Brussels, 2024), the Sydney Biennale, curated by José Roca (2021), WIELS (Brussels, 2021), the Riga Biennale, curated by Rebecca Lamarche Vadel (2020), the Lyon Biennale, curated by the Palais de Tokyo (2019), and the Okayama Art Summit Triennale, curated by Pierre Huyghe (2019). L’Hoest has been an artist-in-residence at ISCP (New York, 2024) and the Biennale College of Art (Venice, 2023), and received the Edward Steichen Prize (Luxembourg, 2023). Her work was presented as a performance at the IFFR (2020) and in a visual piece accompanying the Royal Philharmonic Orchestra of Belgium at BOZAR (Brussels, 2022).
 
MORE INFORMATIONS:
 
// Biography
// Portfolio
 
EXHIBITIONS:
 
// inkstand – fragments of intent (13/11/25-10/01/2026 | Brussels)
// Quantum Leap (09/07-12/21/2024 | Brussels)